It might have seemed to the newsroom staff an innocuous choice of words.
CNN, in the
heat of the 2020 Presidential election season, put up a poll listing racial
groups.
In the
Native American community, the idea of being “something else” hit a chord. A group
of people who have struggled for recognition ever since Europeans’ arrival,
“something else” was far more than a grammatical error, a semantic mis-step. It
was another blow to a people treated for 500+ years as less-than, not good
enough. (Link
to local article on the response to the incident)
Indigenous
creative minds got to work. There was a call for the Washington Football Team
to be named the “Washington Something Elses”. You heard things like, “It’s a
good day to be something else.”
I am honored
to share an artistic response to this moment. Art as protest. Art as
resilience. Art speaking what words cannot.
Mallery Quetawki
is a friend, a colleague and an incredible artist from Zuni Pueblo. She shared
this piece and her reflections on what was behind the art. Take in the art and
let it speak to you for two minutes. Breathe it in. Soak it in. Hear its
message. Then, take a look at Mallery’s own words.
Mallery, my
sister, like all of your art, this piece is indeed…something else!!! Wow!!!
I sit here
and think what my feelings were when I created the "Something Else"
painting. I was more amused that folks can still get away with
marginalizing our communities even when our presences is ever so loud
nowadays. I felt that there needs to be a reminder of who lived, loved
and died on the soils of America before it was America. Just the idea
that our identities and our tight knit societies are so romanticized like it
only happens in the movies or when they talk about our people they say things
like "were" or "was" in a past tense like we aren't living
that way at all anymore, is what sparked the idea of utilizing technology,
ancient art practices and a small amount of protest. We may be
assimilated to western society in material manners, education and social
systems but we are still very much tied/entwined to the ancient way, which is
something embedded in all our circuits and throughout our cells and
helixes. More of a warning shot that we are rising up and being
louder and being just as educated as our colonizers that these "something
elses" have power to add to the circuits of the American Machine. We
are no longer standing idle but taking on endeavors that take us to places such
as the Department of the Interior and taking seats and saving the open ones
around us one Pendleton (blanket) at a time.
Nice! I have a small reproduction of one of her thoughtful pieces (20 x 30 inches, pastel and ink, part of a 12-piece display at Zuni IHS from 2007), depicting the bones of the human thorax etched with traditional Zuni designs. Something else indeed! Thanks for sharing...
ReplyDeleteWow! Yes this has been the theme this week for sure. An awakening, a deep breath in. The Mother of us all beginning to be seen again, but never lost by the First Nation Peoples.
ReplyDeleteWith inspiration, hope and a thirst for sanity, may we see through the eyes of the wise.
I had not heard of this until now. Thanks for posting it. Power dynamics are shifting….very…..slow….ly….ultimately it’s pointing to a better outcome. Little seismic shifts like this will slowly topple the machine.
ReplyDeleteBeautiful response and art piece. I dislike the fact that our family’s heritages are consistently marginalized and any effort to shed light on this travesty is criticized by the “anti-woke” folks who can tell their hand from their foot. One day my brother, we will get there!
ReplyDeleteAmazing, love Mallory’s words. She speaks from the heart. Creator loves variety and that is something else.
ReplyDeleteHooray for Mallery! And hooray for you for bringing her work to us.
ReplyDeleteThank you both.
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